Robert Earl Jones Biography

Robert Earl Jones, also known as “Earl Jones,” was a trailblazing American actor and professional boxer. Rising to prominence during the Harlem Renaissance of the 1920s and 1930s, he was one of the first African-American actors to make a significant impact in the industry. Despite a challenging childhood and dropping out of school, Robert’s determination led him to work at a young age to support his family. His journey took a turn when he discovered a passion for theater and began his acting career with a Langston Hughes play. From there, he ventured into films, starting with race films before excelling in crime and drama genres. With over 20 film credits, including standout performances in “Lying Lips” and “The Sting,” Robert left an indelible mark on the silver screen. Additionally, he had a notable presence in theater, collaborating with the ‘American Theater Wing’ and participating in numerous stage productions. Beyond his professional achievements, Robert was a devoted family man, being married three times and having two sons, one of whom he had the pleasure of working with on three stage productions.

Quick Facts

  • Also Known As: Earl Jones
  • Died At Age: 96
  • Family:
    • Spouse/Ex-: Jumelle Jones (m. 1938 – div. 1950), Ruth Connolly (m. 1929 – div. 1934), Ruth Williams (m. 1960 – died 1981)
    • Father: Robert Jones
    • Mother: Elnora Sunden Jones
    • Children: James Earl Jones, Matthew Earl Jones
  • African American Men
  • African American Actors
  • Height: 6’2″ (188 cm), 6’2″ Males
  • Died on: September 7, 2006
  • Place of death: Englewood, New Jersey, United States
  • U.S. State: Mississippi, African-American From Mississippi

Childhood & Early Life

Robert was born on February 3, 1910, in Senatobia, Mississippi, to Robert and Elnora Jones. To support his family’s poor financial condition, he dropped out of school and began working as a sharecropper. Later, Robert became a prizefighter. Eventually, he grew up as a boxer, and in 1937, he was hired by heavyweight champion Joe Louis as his sparring partner. Robert adopted the pseudonym “Battling Bill Stovall” for the job. He later portrayed Joe in the film ‘Spirit of Youth.’

Robert also had a railroad job in Memphis but had to quit after the onset of The Great Depression. He later moved to New York and began working with the ‘Works Progress Administration,’ where he met poet and playwright Langston Hughes.

Career

Robert began his career as a stage actor after Hughes cast him in the 1938 play ‘Don’t You Want to Be Free?’ The following year, he made his film debut with the low-budget drama film ‘Lying Lips.’ He played a detective named ‘Wanzer’ in the melodrama with an all-black cast. He was seen in another race film, titled ‘The Notorious Elinor Lee,’ which featured him as ‘Benny Blue.’

Robert simultaneously did theater. He made his ‘Broadway’ debut with ‘The Hasty Heart’ (1945). He was part of the 1949 revival of ‘Caesar and Cleopatra.’ His other stage credits were ‘More Stately Mansions’ (1968), the 1975 revival ‘All God’s Chillun Got Wings,’ ‘Unexpected Guests’ (1977), and ‘Strange Fruit.’ He also appeared in two ‘off-Broadway’ plays: ‘Winkelberg’ in 1958 and ‘The Displaced Person’ in 1966. Robert was also seen in the film version of ‘The Displaced Person,’ which released in 1977. His most notable stage role was that of ‘Creon’ in the 1988 version of the musical ‘The Gospel at Colonus.’

Robert’s acting career was disrupted in the 1950s after he was blacklisted because of his political associations with left-wing groups. He utilized the time by studying acting at the ‘American Theater Wing.’ He also worked as a floor finisher.

After returning on screen, Robert was featured in several crime movies and dramas. After portraying three uncredited roles, in ‘Odds against Tomorrow’ (1959), ‘Wild River’ (1960), and ‘Willie Dynamite’ (1973), the actor was finally seen in a significant role when he essayed the character ‘Luther Coleman,’ a conman, in the ‘Academy Award’-winning 1973 film ‘The Sting.’ He also made a TV appearance in 1976, as a judge in the ‘CBS’ crime drama ‘Kojak.’

Robert made his final stage performance in 1991, when he starred in the ‘Broadway’ revival of the 1930 play ‘Mule Bone: A Comedy of Negro Life.’ He made his last silver-screen appearance in the science-fiction movie ‘Rain without Thunder,’ which featured him as a lawyer.

Despite being blacklisted, Robert was awarded with a ‘Lifetime Achievement Award’ at the ‘National Black Theatre Festival’ and was also given an ‘Oscar Micheaux Award.’ He was felicitated with an honorable mention in the ‘Black Filmmakers Hall of Fame.’

Family, Personal Life & Death

Robert was quite young when he married Ruth Connolly, a maid and teacher. However, he left his wife to make a career in boxing and acting. They separated soon after. At that time, Robert did not know about Ruth’s pregnancy with his son, James. Robert and Ruth eventually divorced in 1933.

Robert came to know about James in the mid-1950s. While studying at the ‘American Theatre Wing,’ he lived with James in Greenwich Village and supported his finances through some odd jobs. James later became an actor and was relatively more famous than his father. The father–son duo later shared the stage while acting in the ‘Broadway’ play ‘Infidel Caesar’ and the ‘off-Broadway’ play ‘Moon on a Rainbow Shawl,’ both of which were staged in 1962. They also appeared together in the 1967 play ‘Of Mice and Men.’

From 1938 to 1950, Robert was married to Jumelle Jones. He married his third wife, Ruth Williams, in 1960 and remained married to her until her death in 1981. Through his marriage with Ruth Williams, Robert had a second son, Matthew Earl Jones. Robert died on September 7, 2006, at the age of 96. He breathed his last at the ‘Actors’ Fund of America’ home in Englewood, New Jersey. The news of his death was made public by Robert’s family spokesperson, Dale Olson. The memorial ceremonies were kept private, and his family requested donations for the ‘Actors’ Fund of America’ in New York.

After his debut play, Langston Hughes’s aunt, Mrs. Toy Harper, taught him the art of reciting poems. The first poem he learned read, “I am a Negro black as the night is black/ Black like the depth of my Africa.”

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